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The Best Films of 2025 according to
Taiwan Film Critics and Reviewers

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Introduction & Background

Around the end of each year, major media outlets often compile annual “Top Ten Films” lists from critics and reviewers, outlining what they consider the year’s finest cinematic works and offering film lovers a comprehensive viewing guide.

The Best Films of 2025 according to Taiwan Film Critics and Reviewers is jointly organized by the teams behind the projects Taiwan Film Critics: 21st Century Top 100 Films and Best Films of 2023 by Taiwan Film Critics and Reviewers.


A total of 314 Taiwan-based film critics and reviewers were invited to submit their personal top ten films of the year.

The aggregated results form a list of the Top 100 Films of 2025, reflecting the collective critical perspective and viewing preferences of Taiwan’s film criticism and cinephile community.

The second page of this website details each participating critic’s personal top ten list, with the goal of promoting further discussion, comparison, and exchange of ideas.

Methodology & Scoring System

The Best Films of 2025 by Taiwan Film Critics and Reviewers project adopts a weighted scoring system:

  • A film ranked as #1: 10 points
     

  • A film ranked as #2: 9 points
     

  • and so forth
     

A film is eligible if it meets at least one of the following criteria:

  1. An official release year of 2025 (based on IMDb)
     

  2. Theatrically released in Taiwan in 2025 (excluding re-releases)
     

  3. Taiwanese premiere in 2025, including festival premieres or streaming releases in Taiwan
     

Films outside these criteria were excluded.
All formats were eligible, including narrative feature films, documentaries, animation, short films, and VR works.

In the event of tied scores, rankings were determined by number of mentions, followed by highest individual ranking and vote count.

Participants

We sincerely thank all the contributors to this project.

The list of participating critics and reviewers is presented below in order of submission.

今敏木木、Howard Wu/史塔克の電影小站、大慈大悲救苦救難團戰上六隻吉利蛋、蔣亞妮、_felix_culpa_elanor、CHIH夏日葵のタネ、來點咖啡因 拿鐵、膝關節、MANSUN's電影音樂清單、林敬、品初、CJ Sheu、Ashley、徐佑德、迷影寶貝、人文電影的追尋、電影仙境🧚、桑妮、蔡曉松、北土城影評人協會、茶太郎日常雜談、XXY、朝朝、魚池FishPond、映画案內所、春久迷影 Jason The Filmgore、穎弟|電影|影集、JJ影視廳、太空人 Astronautin、住在影劇裡的雨瑜、蔡董(金樹懶獎)、Hua、R 級影評、小蔡、Haox2電影星球、林意庭、大山修司映画館、江豫看電影、電影補給站、moviefish、我隨便寫就隨便看、電影雜筆錄、淡然觀影筆記、躲在電影裡的詩人、Bruce、藏書閣、閣樓的放映室、處男才酷,性愛會害你下地獄、翁皓怡(Catherine)、肥弟星癮力、張士達、李幼鸚鵡鵪鶉小白文鳥、Ryo Shen、詹氏、地瓜嗓さん、趙正媛、理工女看影劇、帥哥看電影、Matt麥特、Ivan、GaryLai、石頭看電影、影迷隨筆/黃品惟、朗高電影議世界、克里斯影展、奧斯卡電影院、鄭秉泓、時光放映中、阿善Café、泰賀、Timothymovies、文字裡的貓、洗衣機、影癮尚尼、花神沒有咖啡館、又元、浣點來看、私人電影院 My Personal Cinema、延延聊電影、Emilymovielife、小小電影蟲、常田大希的袖子、徐伯瑜(小徐)、彭紹宇 Peng ShaoYu、Whitefeathers、Lizard的海底影院、藍玉雍、午夜影室、CharMing的投幣式置物櫃、老爹談影、米西小角落、是日觀影、張哲鳴、咖哩聊電影、隨時電影院、Lizzy聊電影、Kolynn、一平方觀影空間、保溫冰、王祖鵬/地下電影、影劇爆米花 Plus+  Summer、Jon(電影趴cast)、戀舊於影| Myra、陳穎、狐狸電影臭幹譙、柏森、放映雞 • 放電影、黑澤考克看電影、阿瑪珂德與童年放映室、張婉兒Cari、影料、蕭葉拾光、一種凝視/Mindy、SilenceMontage 黃同學、計劃發函 Plan to Post、Ruby's Film Diary、丹眼看電影、阿緯ㄉ評論意見與碎碎唸、麥恩!、如履的電影筆記、煮雪的人、脫光光看電影、Pony、形影不離、7777777777777、鹿刻、大叔Pi、半瓶醋、nomnomfilm、喬治鎊電影專欄 George Column、謝承璇、艾斯特的電影紀錄、香功堂主、影癡的人生診療室(宣)、陳某、Ohmoviee、午夜先生、鄭峰齊、Birdy Wei、infero、Chao Wu、壁虎先生、陪甯看電影、Jen、九號球、愛看電影的波妞、但唐謨、蘇東(蘇東電影觀後感)、RB Cinema、艾米希莉 Amesily、Yuchi、波昂刺刺、黃于真Levy Huang、電影趴cast-Perry、火行者、默耕、影劇好有梗、兩腳影櫥 / Jeff、希米露;電影文學希米露、午夜電影院、斯比亂講話

– Statement & Scope –

This project represents a curated survey initiated and conducted by the organizing team.

The results do not claim to represent the views of all film critics in Taiwan.
 

Participants were selected based on the organizers’ shared assessment of individuals who actively follow new releases, consistently publish film-related criticism, and demonstrate distinct critical voices within the contemporary film discourse.
 

Due to limitations in time, manpower, and professional networks, invitations were issued based on reachable contacts.
If any senior critics or emerging reviewers were unintentionally omitted, we welcome correspondence via email.
Should a 2026 edition be produced, we would be glad to extend future invitations.

Feedback is also welcome, as we aim to further refine and expand this project in the years ahead.
 

– Media & Social Promotion –

This research also warmly invites entertainment media outlets and film- and TV-related communities to publish or share the related posts.
A media press kit and a social media posting kit are available upon request.
When posting, please include the list of organizers and tag our official account on Instagram
.

 

Organizer:
#Best_films_of_2025_by_Taiwan_film_Critics_and_Reviewers

Project Team|今敏木木 @konsatoshi631012, 斯比亂講話 @spi__moviedrama, 蔡董 @chengyi_drama, Birdy Wei @birdy.wei, ASHi @ashi.dori

Illustration Design|ASHi
Website Development|今敏木木
Data Analysis|斯比亂講話
Event Planning|Birdy Wei
Video Editing|蔡董(蔡承頤)

English proofreading|丹眼看電影

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Top 100 Films Video Edit

Participant & Film Selection Analysis

Demographics of Invited Critics and Reviewers

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

Number of films seen & Primary Social Platforms

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

Overview of Nominated Films & Countries of Origin

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

Mandarin-Language Films

18/100

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Films not shown in the image: 75. The Way We Talk, 78. YOUTH (Hard Times), 79. YOUTH (Homecoming), 83. The Waves Will Carry Us, 85. Her Story, 90. Deep Quiet Room, 91. Mother Bhumi, 94. Where’d My Brother Go?

This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

Japanese-Language Films

12/100

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Films not shown in the image: 95. Rental Family, 98. Tatsuki Fujimoto 17–26

This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

Queer Films

24/100

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Films not shown in the image: 43. Eternity, 44. Love, 47. Family Matters, 53. Wake Up Dead Man: A Knives Out Mystery, 54. Rocked by the Wind, 57. Together, 58. Memoir of a Snail, 66. The Mysterious Gaze of the Flamingo, 69. Peter Hujar’s Day, 72. The Astronaut Lovers, 80. Wicked: For Good, 85. Her Story, 96. The History of Sound, 98. Tatsuki Fujimoto 17–26

This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

Films Directed by Women

24/100

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Films not shown in the image: 61. The Clouds Are Two Thousand Meters Up, 67. Daughter of Nectar, 70. Last Summer, 71. Renoir, 73. We Are Inside, 74. Late Shift, 81. Materialists, 82. Reflection in a Dead Diamond, 85. Her Story, 86. Songs of Slow Burning Earth, 89. Rita, 95. Rental Family, 99. Babygirl

This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

Animated Films

10/100

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

Documentary Films

9/100

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

The Best Films of 2025 according to Taiwan Film Critics and Reviewers

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

1. One Battle After Another

2. Sinners

3. Queer

4. Kokuho

5. Left-Handed Girl

6. HAPPYEND

7. A Foggy Tale

8. Marty Supreme

9. Dreams (Sex Love)

10. Queerpanorama

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

11. F1 The Movie

12. Two Seasons, Two Strangers

13. Afternoons of Solitude

14. Flow

15. The Chronology of Water

16. A Useful Ghost

17. No Other Choice

18. Hamnet

19. I'm Still Here

20. The Mastermind

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

21. Conclave

22. The Secret Agent

23. Palimpsest: The Story of a Name

24. The Brutalist

25. 100 METERS

26. Zootopia 2

27. Eddington

28. Sentimental Value

29. Sex

30. Bugonia

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This image is based on the original Traditional Chinese design and was converted into an English version using the Gemini AI model.

31. Train Dreams

32. Weapons

33. Bring Her Back

34. The Seed of the Sacred Fig

35. Die, My Love

36. Plainclothes

37. At the Bench

38. No Other Land

39. The Shrouds

40. Alpha

41. Blue Moon

42. Human Resource

43. Eternity

44. Love

45. Arco

46. Universal Language

47. Family Matters

48. By the Stream

49. Superman

50. Thunderbolts*

51. Knit’s Island

52. Yes

53. Wake Up Dead Man: A Knives Out Mystery

54. Rocked by the Wind

55. 28 Years Later

56. Frankenstein

57. Together

58. Memoir of a Snail

59. A Poet

60. Desert of Namibia

61. The Clouds Are Two Thousand Meters Up

62. Attack on Titan: THE LAST ATTACK

63. The President’s Cake

64. Chainsaw Man – The Movie: Reze Arc

65. Resurrection

66. The Mysterious Gaze of the Flamingo

67. Daughter of Nectar

68. Last Words

69. Peter Hujar's Day

70. Last Summer

71. Renoir

72. The Astronaut Lovers

73. We Are Inside

74. Late Shift

75. The Way We Talk

76. Demon Slayer: Kimetsu no Yaiba Infinity Castle

77. The Girl with the Needle

78. YOUTH (Hard Times)

79. YOUTH (Homecoming)

80. Wicked: For Good

81. Materialists

82. Reflection in a Dead Diamond

83. The Waves Will Carry Us

84. Urchin

85. Her Story

86. Songs of Slow Burning Earth

87. The Long Walk

88. How to Train Your Dragon

89. Rita

90. Deep Quiet Room

91. Mother Bhumi

92. Companion

93. Dry Leaf

94. Where'd My Brother Go?

95. Rental Family

96. The History of Sound

97. Sirat

98. Tatsuki Fujimoto 17–26

99. Babygirl

100. Magellan

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